Originally written for cantus, quintus, altus, tenore, & basso; arranged for 5 horns
Part of Gibbons’ “First Set of Madrigals and Motets”
Heavily influenced by his mentor, William Byrd
Originally written for cantus, quintus, altus, tenore, & basso; arranged for 5 horns
Part of Gibbons’ “First Set of Madrigals and Motets”
Heavily influenced by his mentor, William Byrd