Originally written for SATB; arranged for 4 horns

Characteristic of Brahms’ beat displacement through varying time signatures

Collection of Brahms’ “14 Deutsche Volkslieder, WoO 34” &‍ “12 Deutsche Volkslieder, WoO 35”

Originally written for SATB; arranged for 4 horns

Features variation in tempi & repetition of multiple musical motives

Originally written for TTBB; arranged for 4 horns

Set to text by Joseph Christian von Zedlitz

I. Fassung is Calm & peaceful setting, while II. Fassung features a 4/4 time signature with lyrical, frolicking motives

Originally written for SATB; arranged for 4 horns

Features imitative and independent voice writing styles

• Highlights the characteristic nature of Italian church music during the 17th & 18th centuries

Originally written for SATB; arranged for 4 horns

Set to the text and traditional tune from Hebrew folk song

Originally written as a series of traded antiphons; arranged for 4 horns

Utilizes numerous characteristic cadences

Offers a great glimpse into early church choral music.

Originally written for SATB; arranged for 4 horns

Secular piece set to text by Joseph von Eichendorff

Provides opportunities for part independence & features motives set in pairs

Originally written for SATB; arranged for 4 horns

Part of Hindemith’s collection of “Four Part Chorus for Mixed Voices”

Composed of 6 movements:

• I. La biche (The Doe)

• II. Un cygne (A Swan)

• III. Puisque tout passe (Since all is passing)

• IV. Printemps (Springtime)

• V. En hiver (In Winter)

• VI. Verger (Orchard)